Scottish born Susan Philipsz is one of today’s leading artists. Her work revolves around a melancholic existentialism and explorations of the human voice. She became well-known through a capella renditions of songs. For the Glasgow International Festival she developed Lowlands, after a ballad from the 16th century, which was later recreated at Tate Britain in London, where it won her the prestigious Turner Prize (2010).
Philipsz is increasingly confronting subject matters of memory, trauma, and mourning, a process which resonates strongly with the School of Fine Art, History of Art and Cultural Studies’ own research. CentreCATH and CAVE research centres have invited Philipsz to come and speak about her recent project for Kunsthaus Bregenz; Night and Fog.
For Night and Fog, Philipsz has deconstructed Hanns Eisler’s soundtrack from the film of the same name (Alain Renais, 1955) into the individual voices of the instruments. Throughout the week the school will present a temporary audio installation in the new Project Space which will become the fulcrum for a series of conversations and demonstrations by Philipsz as well as participating staff, students and those working in cultural industries.
We invite you to join us for an ‘In Conversation’ and deep listening seminar, with Susan Philipsz, followed by a drinks reception:
‘In Conversation’ and deep listening seminar
Venue: Room G.04, School of Fine Art, History of Art and Cultural Studies, University Road, University of Leeds
Student Common Room, School of Fine Art, History of Art and Cultural Studies, University Road, University of Leeds
This event is aimed at arts professionals, students and staff. For those unable to make the seminar, please do visit to view Susan Philipsz’ work and join us for the drinks reception.
For more information email Sam Belinfante.
Image: Susan Philipsz at Eastside Projects, 2014. Courtesy of Eastside Projects, Birmingham. Photo by Stuart Whipps.