School of Fine Art, History of Art and Cultural Studies, University Road, Room 3.02
Office hours: Flexible, by appointment.
BA English and Philosophy (Joint Hons), MA, PhD Fine Art, History of Art and Cultural Studies (University of Leeds)
Research investigates digital heritage and memory cultures. Also interested in theories of utopia and critical studies of history and heritage.
I completed my undergraduate degree in English Literature and Philosophy at the University of Leeds in 2008, before commencing study on the MA in Art Gallery and Museum Studies in the School in 2010. The MA broadened my understanding of the range of skills required to work in the cultural heritage sector and provided opportunities to develop my critical engagement with museological debates in cultural studies. The topic of my PhD research was influenced by my interest in issues relating to digital heritage collections and philosophies of memory and technology. From 2007-2017, I worked at Leeds University Library and Galleries, alongside my studies, where I was involved in projects with the Digital Content and Repositories Team, Special Collections and the Stanley & Audrey Burton Gallery.
My research explores discourses of history and memory in the context of digital heritage projects and cultural policy. Case studies include the European Commission-funded project Europeana and UNESCO’s Memory of the World programme. I have several secondary research interests, primarily in literary studies and early printed books.
Articles and Book Chapters:
‘Mixing Memory and Desire: Exploring Utopian Currents in Heritage’, Future Anterior 14:2 (forthcoming, 2018).
‘The Dynamics of Scale in Digital Heritage Cultures’, in Tuuli Lähdesmäki, Suzie Thomas and Yujie Zhu (eds), Politics of Scale: A New Approach to Heritage Studies (forthcoming, Berghahn Books, 2018) (co-written with Rhiannon Bettivia).
‘All and Each: A Socio-Technical Review of the Europeana Project’, Digital Humanities Quarterly 11.3 (2017) (co-written with Rhiannon Bettivia).
‘From Museum to Memory Institution: The Politics of European Culture Online’, Museum and Society 14:2 (July 2016), pp. 323-337.
‘Curatorial “Translations”: The Case of Marcel Duchamp’s Green Box’, Journal of Curatorial Studies 5:2 (July 2016), pp. 238-255 (co-written with Glyn Thompson).
‘“The Logic of the Visible at the Service of the Invisible”: Reading Invisible Literature in The Atrocity Exhibition’, in Richard Brown, Christopher Duffy and Elizabeth Stainforth (eds), J.G. Ballard: Landscapes of Tomorrow (Leiden: Brill Press, 2016), pp. 99-111.
‘The Nature and Value of Cultural Policy Research for Early Career Researchers’, Cultural Trends 24:2 (March 2015), pp. 109-111 (co-written with Alice Borchi).
‘“The Quakers Tea Table Overturn’d”’: A Literary Satire of the Eighteenth-century Tea Party’, Petits Propos Culinaires, 102 (March 2015), pp. 14-22 (co-written with C. Anne Wilson).
‘“Re-Visioning the Brontës”: An Introduction’, Brontë Studies, 39 (2014), pp. 3-5 (co-written with Nick Cass).
‘Metadata’, in James Elkins et al, Theorizing Visual Studies: Writing Through the Discipline (London: Routledge, 2013), pp. 163-165 (co-written with David Thom).
Edited Volumes and Special Issues:
Utopian Currents in Heritage, guest editor, special issue of Future Anterior journal, co-edited with Helen Graham (forthcoming, 2018).
Barbarisms, guest editor, special issue of parallax journal on the contemporary politics of technology, co-edited with Daniel Mourenza and Stefano Calzati (forthcoming, 2018).
J.G. Ballard: Landscapes of Tomorrow, Richard Brown, Christopher Duffy and Elizabeth Stainforth (eds), (Leiden: Brill Press, 2016).
Review of Museums in the New Mediascape: Transmedia, Participation, Ethics by Jenny Kidd, International Journal of Heritage Studies 23:5 (2017), pp. 488-489.
Review of Art Researchers’ Guide to Leeds by Rose Roberto, Art Libraries Journal 37:2 (2012), p. 48.
Conference Papers and Research Talks
December 2017, ‘Utopia: Crafting the Ideal Book’, The Spirit and the Letter: Utopian Print Cultures (Sadler Seminar Series), University of Leeds.
November 2017, ‘Negotiating the Scalar Politics of Digital Heritage’, Researching Digital Cultural Heritage International Conference, Manchester Museum (co-presented with Rhiannon Bettivia).
April 2017, ‘Anarchism and Utopia in the Spanish Civil War’, La Noche de los Libros Talk, Desperate Literature, Madrid (co-presented with Danny Evans).
February 2017, ‘Disruptive Forms, Persistent Values: Negotiating Digital Heritage and the “Memory of the World”’, Futures of Memory Workshop, University of Leeds.
June 2016, ‘Mixing Memory and Desire: Utopian Currents in Heritage’, Association of Critical Heritage Studies Third Biennial Conference, UQAM and Concordia University, Montréal.
June 2016, ‘All and Each: The Dynamics of Scale in Digital Heritage Cultures’, Association of Critical Heritage Studies Third Biennial Conference, UQAM and Concordia University, Montréal (co-presented with Rhiannon Bettivia).
June 2016, ‘Understanding Impact in the Humanities from an Early Career Researcher Perspective’, AHRC Commons, Common Ground panel event, University of York.
March 2015, ‘Europeana: The Politics of European Cultural Heritage Online’, Guest Seminar for Cultural Heritage and Memory module, Central European University, Budapest.
March 2015, ‘All and Each: Dialogues in the Digital Archive’, Connecting Communities: Storytelling & the Digital Archive Conference & Community Showcase, University of Leeds (co-presented with Rhiannon Bettivia).
March 2015, ‘Cultural Value and Everyday Life’, Work in Progress Research Seminar, School of Fine Art, History of Art and Cultural Studies, University of Leeds (co-presented with Ana Baeza Ruiz).
September 2014, ‘From Museum to Memory Institution: Cultural Heritage Sites in the Digital Age’, Digital Memories 5th Annual Conference, Mansfield College, Oxford.
May 2014, ‘J.G. Ballard’s Invisible Literatures’, J.G. Ballard: Landscapes of Tomorrow Conference, Stanley & Audrey Burton Gallery, University of Leeds.
March 2014, ‘Defining the Problem of Tomorrow’s Memory: Cultural Heritage in the Digital Age’, Philosophers in the Library Talk Series, Shakespeare and Company, Paris.
January 2014 – November 2014, ‘IN FOCUS Talk Series’, Stanley & Audrey Burton Gallery, University of Leeds (talk and discussion series on selected collections from the University of Leeds Library’s Special Collections).
April 2013, ‘Curatorial “Translations”: The Case of Marcel Duchamp’s The Green Box’, Association of Art Historians 39th Annual Conference and Bookfair, University of Reading.
Previously taught on:
2013-14 – Elements of Visual Culture (Year 1 module)
2014 – (In)tangible Heritage: (In)tangible Histories (MA module)
2016 – Cinema and Media History (Year 1 module)
2016-17 – Whose Past and Which Future? Exploring Living Histories and Heritage Today (Year 1 module)
Approaches to Living Histories and Heritage (Co-taught Year 1 module)
Heritage Studies: Key Words (Co-taught MA module)
Interpreting Cultures (Co-taught MA module)
Research Projects & Grants
2016 – Leeds for Life Travel Grant.
2013-2014 – AHRC Collaborative Skills Development Award.
2012-2015 – AHRC Block Partnership Doctoral Grant.
2011 – Henry Moore Institute Essay Prize (Masters Collections Category).
2010-2011 – University of Leeds Full Fee MA Scholarship.
2017-present – Research Associate for My Castle Gateway, a collaborative consultation project about the development of the Castle Gateway area in York, linking creative and ongoing public engagement with the formal planning process.
2016 – Research Associate for My Future York, a collaborative inquiry project exploring alternative futures in relation to practices of community heritage and local democracy in the city of York. Funded as part of the AHRC’s Connected Communities Festival.
2015 – Tracing Arguments: one-day student-led workshop providing a peer-review platform for PhD students at all stages of their research (co-organised with Chrysi Papaioannou and Ana Baeza Ruiz).
2014-present – All and Each: Dialogues in the Digital Archive: ongoing collaborative research project with Rhiannon Bettivia (University of Illinois Urbana-Champaign) about digital archiving practices.
2014-present – The Invisible Library: collaborative project with digital humanities expert Mike Bonsall to compile an open source online catalogue of writer J.G. Ballard’s ‘invisible literature’.
2014-2015 – LEAP Skills Training Hub grant (£500) to run a text encoding workshop as part of ‘Medieval Studies in the Digital Age’ seminar and workshop series (co-organised with N. Kivilcim Yavuz and Victoria Cooper).
2014-2015 – Cultural Value and Everyday Life: seminar series exploring questions of ‘cultural value’ through lived experiences of arts and culture.
2013-2014 – AHRC Collaborative Skills Development Project (£3000) to run two workshops on the theme of ‘Co-producing Cultural Policy’ (CIs Alice Borchi and Leila Jancovich).
2012-2013 – Impact and Innovation (HEIF V) funding (£1300) to run a research symposium on the Brontë sisters (co-organised with Nick Cass).
2010 – Leeds University Community Initiative (LUCI) grant (£500) to run a set of workshops for school children at the Stanley & Audrey Burton Gallery, working with the Gallery’s collection.
Research Centres & Groups
Association of Critical Heritage Studies
Centre for Critical Studies in Museums, Galleries and Heritage, University of Leeds
PhD & Postdoctoral Supervision
Arran Rees – Collecting Digital Communication in Museums (team supervision with Rob Knifton and Helen Graham)
Laura Swithenbank – Sharing, Resisting, Being: Everyday Life and Collaborative Arts Practice in the North of England (team supervision with Helen Graham and Alice O’Grady)
Defining the Problem of Tomorrow’s Memory: The Time of Cultural Heritage in the Digital Age
2015-present – parallax journal: editing and proofing, evaluating issue proposals, liaison with publishers and authors.
2011 – Henry Moore Institute: cataloguing, research, report writing.
2010-2017 – Leeds University Library Galleries: visitor services, marketing and events, report writing, exhibitions.
2008-2012 – Leeds University Library: academic liaison, administration, acquisitions, digitisation activities, student support, induction.
2007 – Tindal Street Press: administration, proofing, securing endorsements, report writing.
2006 – Creative Pathways (Birmingham City Library): marketing and events, administration.
‘Visions of the Future: The Art of Science Fiction’ (Stanley & Audrey Burton Gallery, 4 April – 11 June 2011) with Paul Whittle and Laura Millward.
‘A “Revelation of Unexpected Associations”: J.G. Ballard, Eduardo Paolozzi and Helen Chadwick in Ambit’ (Henry Moore Institute Library, 16th October 2011 – 25th November 2011).