Associate Professor in Art History & Museum Studies
0113 343 9430
Fine Art Building room 3.16
Office hours: Anytime, by appointment.
BA Leeds, PGCHE Salford, MA Leeds, PhD Southampton
History of the art market, history and theory of museums and the histories of collecting, especially in relation to the agency of the art and antique dealer in the 19th century.
After studying BA History of Fine & Decorative Art and MA Country House Studies at University of Leeds, I completed my PhD research, investigating the Emergence of the Antique and Curiosity Dealer in the first half of the nineteenth century, at the University of Southampton. I was formerly Lecturer in Museum and Heritage Studies at the University of Salford, where I was Programme Director for the MA Museum & Heritage Studies, before taking up my current appointment at the University of Leeds.
My research interests are focused on the history of the art market and histories of collecting, especially in relation to the agency of the antique and curiosity dealer in the 19th and 20th centuries. I am also interested in the history and theory of museums, especially where this intersects with the art market. My research has mapped the emergence of the antique and curiosity dealer during the opening decades of the 19th century, a project that placed the functions and practices of the dealer against a broader cultural framework, incorporating the commodification of historical objects and the emergence of a distinctive historical consciousness in the period.
I am particularly interested in exploring the relationships between a discourse (art history) and elements of its formation (the art market); for example, I am working at present on the relationships between the market for ‘antique furniture’ and evolving discourse of furniture history in the 19th and 20th centuries and an investigation into the cultural biography of the art and antique dealer.
In relation to museums, I am interested in philosophies of history and the meaning of ‘heritage’, and in particular the relationships between contemporary heritage practices and their roles in the construction of the meanings of the past. I am also working on a number of projects in relation to museum studies that address the interface between theory and practice and how this dialectic can be negotiated in the contemporary museum.
My current teaching at both UG and PG levels encompasses the history and theory of museums, galleries and heritage and the histories of the art market.
Undergraduate – ARTF2069 The Art Market: moments, methodologies and meanings; ARTF2121 Leeds Collections in Context; ARTF3099 Antique Dealers: the market for ‘Decorative Art’ from curiosities to retro; ARTF2125 Exhibitions, Curatorship and Audiences
Postgraduate – ARTF5255 History & The Museum: representation, narrative and memory; ARTF5670 Museum, Object, Practice; ARTF5069 Art & Money: the modern and contemporary art market.
Programme Director, BA History of Art with Museum Studies
Director of Impact and Innovation
Faculty Peer Review College (Impact)
(2013) Dealers and Collectors: the Market for Decorative Art 1815-1945. (In preparation)
(2013) The Consumption of the Past. (In preparation)
(2012) The emergence of the antique and curiosity dealer 1815-1850: the commodification of historical objects. Ashgate. (Submitted)
(2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. 2009. Regional Furniture. Glasgow: Regional Furniture Society.
Repository URL: http://eprints.whiterose.ac.uk/42902/
The Period Room: Museum, Material, Experience. (In preparation)
Antique Dealers: the British Antique Trade in the 20th Centiry, a cultural geography. (In preparation)
(2011) “Early Georgian Furniture (Bowett) book review”, The Antiquaries Journal.
(2011) “The Waste Book of John Coleman Isaac (1803-1887)”, Furniture History. (In preparation)
(2010) “A New Art from Emerging Markets (Robertson) book review”, Cassone. 2.2
(2010) “Art for Sale (Boll) book review”, Cassone. 2.2
(2009) “The Price of Everything (Braathen) book review”, The Art Book. volume 16.1
(2009) “Art, Price, Value (F. Nori) book review”, The Art Book. volume 16.1
(2009) “The Art Market and its Histories”, The Art Book. 16.1
“The 'Waste Book' of John Coleman Isaac (1803-1886), Curiosity Dealer”, Journal of the History of Collections. (In preparation)
(2017) “Learning to Look: Benedict Read as a Teacher”, In: Benedict Read's life in sculpture: His father never told him about things like that. Essays on Sculpture. Leeds, UK: Henry Moore Institute. 5-7
Repository URL: http://eprints.whiterose.ac.uk/118041/
(2011) “Florid Looking Speculators in Art and Virtue: the London Picture Trade, c1850”, In: Helmreich A; Fletcher P (eds.) The Birth of the Modern Art Market in London, 1850-1939. MUP.
“Dealers and Collectors”, In: Westgarth MW (eds.) Dealers and Collectors: the market for decorative art 1815-1945. (In preparation)
Research Projects & Grants
AHRC (Early Career) – ‘Antique Dealers’: the British Antique Trade in the 20th century, a cultural geography’ (£238,000) (2013-2016)
The Period Room (2014) (CCIE/HEIF funded project & Paul Mellon Foundation for the Study of British Art funded project)
In Conversation: archives, objects, people (2015) (HEIF funded project)
Museum Studies Now? (2013) (CCIE/HEIF funded project)
Hunlset & Holbeck Heritage Project (2012) (HEIF funded project)
Performing the Past: exploring the heritage of working-class communities in Yorkshire (White Rose, 2012-13)
Digitalis: using digital technologies to enhance and embed creative reflection (2010-2012)
Transforming Skills: CPD for Museum Volunteers (2009-2010)
Research Centres & Groups
Director, Centre for the Study of the Art & Antiques Market http://csaam.leeds.ac.uk/
Deputy Director, Centre for Critical Studies in Museums, Galleries and Heritage
Advisory Board Member, Centre for Critical Studies in Museums, Galleries and Heritage
AHRC White Rose PhD College Review Panel (2018-
Advisory Board Member, ‘Contextualising the Art Market’ (Bloomsbury) (2016-
Advisory Board Member, The Burlington Magazine Index Project (£250,000) 2013-2016. The Burlington Magazine Index http://index.burlington.org.uk/
Advisory Board Member, Society for the History of Collecting (2016-
Editorial Board, Colnaghi Journal (2017-
External Review Panel Member (Open University nomination); Christie’s MA Validation Panel (2018)
External Review Panel Member, Quinquennial Review, BA/MA Art History/Heritage Programmes University of Buckingham (2013)
Advisory Board Member, BIFMO Data Enhancement Project (Historical Research Institute and Furniture History) (2018-
Chair, The Leeds Art Fund (2015-
Trustee Leeds Art Fund (2014-
External Examiner, MA Decorative Art and Historic Interiors, University of Buckingham (2014-2018)
External Examiner, BA Art History and Heritage Studies, University of Buckingham (2014-2018)
External Examiner, MA Museum & Heritage Management, Nottingham Trent University (2015-
External Examiner, MA Museum and Heritage Studies, University of Newcastle (2009-2012)
Board Member and Newsletter Editor, The Museums and Galleries History Group (MGHG) (2008-
Board Member, The Association of Art Historians, Museums & Exhibitions Group (2015-
Visiting Speaker, IESA/Wallace Collection, MA History and Business of Art and Collecting (2012-
Visiting Speaker, Christie’s Education, Art & Business (2010-
PhD & Postdoctoral Supervision
The History of the Art Market, especially, but not exclusively, in the 19th and 20th centuries The History of Museums and Galleries in the 19th and 20th centuries The History of Collecting, especially, but not exclusively, in the 19th and 20th centuries Furniture History Current theory and practice in museums, galleries and heritage
Heather Findling: The Private collection as agent over modern art: Egon Schiele in post-war Vienna 1948/1968/2001
Caroline McCaffrey: ‘Sevres mania’: the history of collecting and display of French Sevres porcelain in Britain between 1802-1882.
Anna Reeve: The art of ancient Cyprus in Leeds – networks, communities and collectors 1870-2004
Simon Spier: Creating the Bowes Museum 1860-1900: private collecting, public philanthropy and the art market in the public museum in Britain and France. CDP with The Bowes Museum/National Gallery
Graham Panico: Socio-cultural shifts in the British Antiques Trade 1985-2016: a cultural creative industry in a changing Global context
Colette Siddiqui: The historiography of coin and medal collecting in the early 19th century: Henry Wellesley’s medals
PhD Mentor (Leeds Trinity University) – Jack Gann and Lauren Padgett
Shir Kochavi: From Salvage to Restitution: ‘Heirless’ Jewish Culture Porperty post WWII. (passed 2017).
Ana Baeza ‘Sir Philip Hendy, curator and scholar in Leeds and London, 1936-1967’, CDA with the National Gallery. (passed 2017).
Rebecca Wade: ‘Pedagogic Objects: the formation, circulation and exhibition of teaching collections in British Art and Education 1837-1857’, (passed 2013).
Ebony Andrews: ‘Transforming Nature: changes in the presentation and display of taxidermy in contemporary British museums’, (passed 2013)
Annalea Tunesi: ‘Stefano Bardini (1836-1922): Heritage, Scenography, Museology, Market, 1865-1922’, (passed 2014)
Dr Jan Baetens, Visiting Postdoctoral Fellow, University of Leuven – January-May 2012.
The Emergence of the Antique & Curiosity Dealer 1815-1850: the commodification of historical objects
Centre for the Study of the Art & Antiques Market