My art practice investigates the relationship between cultural, historic narrative utilizing performance, film and text. The appropriation and (re) visioning of historic cultural events are an on-going theme in my work which often feature (re) enactment, as a way of reading and understanding the past.
School of Fine Art, Art History and Cultural Studies
My current work focuses on the conditions for participatory practice in cultural institutions. I am based at the British Museum for my PhD project, using action research to explore how aspects like organisational culture, identity and processes in museums impact on public engagement.
The writing of Harold Rosenberg; materialism, praxis, and "action"; American Marxist thought; historiographical methodologies of Abstract Expressionism
Ana Baeza Ruiz
I am currently undertaking practice-based research in fine art within the school, having completed an MFA at the University in 2013.
I study British Art from 1910-1960, with a particular emphasis on Christopher Wood and his adherents Keith Vaughan and John Minton. I am currently undertaking a PhD in Scandinavian art (1878-1889). Additionally, I study the art and history of 15th-century Ferrara: Cosmé Tura, Borso d'Este, Teofilo Calcagnini.
email@example.com / 07815 861452
Old Mining Building, University of Leeds.
My PhD is concerned with the relations between experimental writing, feminist psychoanalytic theory, and ethical reading practices.
My current doctoral research concerns the study of subjectivities within Filipino American cultural texts, with emphasis on personal/social histories, migration and transnational narratives, postcolonial and critical race theory, and psychoanalysis. I received my MA in Psychosocial Studies at the Centre for Psychoanalytic Studies at the University of Essex, UK. My work was focused on proposed psychosocial understandings of hybridity and race. My undergraduate work was focused on autobiographical performance arts and creative process.
Fine Art 1.15
I am researching the Anglo-Scandinavian stone sculpture produced in Yorkshire from the ninth to eleventh centuries, with particular emphasis on the landscape setting of these monuments.
School of Fine Art, History of Art and Cultural Studies, Studio 5 (2.10)
Visual artist working in painting, drawing, video and installation art. Practice-led PhD researcher.
School of Fine Art, History of Art and Cultural studies
Shir holds and MA in The History of Business of Art and Collecting, from the Institute D’Etudes Superieures des Arts, Paris and the University of Warwick, UK (2008) and a second MA in Law Studies from the Bar Ilan University (Israel, 2012). In the past few years she has worked as a provenance researcher at the Company for Location and Restitution of Holocaust Victims’ Assets in Israel (2010-2014). Recent volunteer work includes; curatorial department research assistant at the Contemporary Jewish Museum, San Francisco (2015) and at the Magnes Collections of Jewish Art and Life, Berkeley, California (2015-2016). Recent lectures and conferences: Israel Studies Colloquium of the Spring 2017 semester (University of Berkeley, California, 2017) Jewish Museologies and the Politics of Display (University of Leeds, UK, 2016). Provenance Research Training Program (Germany, 2012, Zagreb, 2013 and Vilnius, 2013).
BA in History (2008) and MA in Social History (2014), Universidade de São Paulo, USP, Brazil.
School of Fine Art, History of Art and Cultural Studies, room 1.14
Office hours: Monday - Friday, 1.00pm. - 19.00pm
Sun Ju Lee
Johanna M Empson
PhD Candidate and History of Art Tutor
A PhD candidate, White Rose Scholar and Tutor in the History of Art Department at the University of Leeds. My doctoral research examines the concept of 'Sèvres-mania' and the history of collecting Sèvres porcelain in Britain between 1802-1882. My research interests focus on European decorative arts 1650-1900, the history of collecting and display, and the interdependent relationship between dealers and the art market.
My doctoral project examines theories of 'the girl' and the moving image in reference to films and artworks by Chantal Akerman and Eija-Liisa Ahtila and the philosophy of Simone de Beauvoir and Luce Irigaray.
My thesis analyses Walter Benjamin's writings on film. I pay special attention to the role of technology in Benjamin's philosophical and political project. My main argument is that Benjamin's writings on film are part of the tradition he coined as 'anthropological materialism.' His theses on the role of cinema in modernity are thus related to the effects of technology on the human body.
Old Mining Building, PhD Students Room
My research centres on the feminist intervention into visual art, and in particular photography, during the 1980s.
firstname.lastname@example.org / 0113 343 4265
My research aims to examine the implications of museums collecting born-digital objects from social media platforms, such as Twitter, Facebook and Instagram. I am particularly interested the conceptual barriers to collecting digital culture and whether existing professional collections management frameworks can accommodate social media and born-digital objects. Through my research I intend to use case studies to identify shortfalls in museum processes and develop an effective model for acquiring social media objects in collaboration with the National Science and Media Museum.
My research is concerned with audience engagement and development practices in art galleries; in particular an exploration of the juncture between the theoretical and the practical, influenced by my work in gallery education. Other areas of interest include: cultural value, policy (and its relationship to practice), the politics and power of the institution, identity/identification, and, ways of knowing.
School of Fine Art, History of Art and Cultural Studies
I am in receipt of an AHRC Collaborative Doctoral Partnership studentship between the University of Leeds and The Bowes Museum, County Durham, working on a project entitled 'Creating the Bowes Museum: Private collecting, public philanthropy and the art market in the public art museum in Britain and France, 1830-1900'.
Focusing on Relational Aesthetics, my PhD analyses the social, political and economic contexts of these artists’ work in relation to exchange and temporality.
David Steans is an artist and writer currently undertaking a practice-led PhD in Fine Art at the University of Leeds.
Lenka Vráblíková studied Fine Arts at University of Ostrava (BA) and Brno University of Technology (MA), Czech Republic, where she developed a collaborative project with activists, artist, educators and theoreticians entitled ‘Feminist Action Research – How to study to become a woman artist?’. She then completed MA in Cultural Studies at University of Leeds.
School of Fine Art, History of Art and Cultural Studies University Road University of Leeds Leeds LS2 9JT UK
Joanne's research is interested in the philosophical and methodological challenges of knowing and knowledge production in relation to visitor engagement with contemporary arts and heritage. Concurrent research concerns relate to the the epistemological and ontological groundings of current arts evaluation practices, as well as the notion of the aesthetic in relation to site-specific art.
School of Fine Art, HIstory of Art and Cultural Studies
Joanna is a doctoral candidate specialising in Cambodian art and culture. Her research interests include Buddhist theory and practice, portraiture, contemporary Southeast Asian art, ritual practices of vision and material expressions of power.
John is a research-led curator. John's practice is centred on the interconnections between artistic, curatorial and academic fields.
School of Fine Art, History of Art and Cultural Studies